The things we make shape us back. So we start before form. With what something is for. What it changes. What it carries. Why it deserves to take up space.

We are obsessed with justification.

Does this carry signal or noise?
Is this the thing or the language around it?
Is it alive or dead? Is it necessary?

Shape is the last question we ask.

Black 'X' symbol on a light gray background.

SIGNAL

Benussi&theFish is a research and design studio led by Dorja and Ivan Benussi, based between Barcelona, Zagreb and Belgrade, active since 2016.

United Nations Development Programme (UNDP) logo with the UN emblem and the acronym UNDP arranged vertically.
World Health Organization logo with a caduceus symbol and the organization's name
Logo with a stylized water droplet and the text 'SANITATION AND WATER FOR ALL' on a black background.
Black background with white text and emblem reading 'Government of the Republic of Croatia'.
UN Women logo with the UN emblem, the words 'UN WOMEN' in bold letters, and a stylized curved lines symbol.
Logo of the City of Zagreb featuring a castle tower, with the text 'City of Zagreb' beside it.

THINKING

THINKING

02

OUR THINKING

(the question stays open)

We measure all we make against the same question: should this exist at all? It is a habit rather than a threshold, and it doesn't switch off when the work is finished.

We made furniture that allows children to move in environments designed to keep them still. Chairs function. The work lands. We keep asking if a better chair was the right answer to a broken system, or if we solved the symptom because the source was harder to reach. We don't know. But the question and the work can still coexist.

This applies to everything we do. We're not sure whether work made under this kind of pressure holds differently. It's less a paralysis than an itch. So we swim.

A black circle centered on a light gray background.

Black X, black circle, and black plus symbols on a light gray background.

HABIT

PRACTICE

PRACTICE

03

OUR METHOD

(how the work moves)

Our practice moves from research, strategy and methodology through to brands, products, publications, exhibitions and spatial environments.

We question before, during and after the process. We test what the work means, what it needs, what it can hold and where it still refuses closure.

We draw from the Balkan, Yugoslav and Mediterranean worlds we come from. Their collision of warmth, chaos, beauty and grit shapes our design logic and refuses to let the process stay too clean.

A blank white sheet of paper with faint writing and a pencil resting on top of it.

We work with people and organisations building things that need clarity, distinction and internal logic: UN agencies, public bodies, cultural institutions, museums, founders, publishers, artists, brands and independent ventures. Clients have included UNICEF, UN Women, Sanitation and Water for All, the Republic of Croatia, City of Zagreb, European Capitals of Culture, the Museum of Yugoslavia and the Institute for Human Sciences in Vienna.

Alongside client work, we originate and develop our own project worlds; Tink Things, Sublimated and med+mlekko.


Three symbols: an X, a circle, and a plus sign, in black on a light gray background.

THE THING

Empty white background with no objects or details.

OUR OWN

1637873781565.jpg

We are obsessed with justification: why something should exist at all, and whether it holds once it does.

We care about the tension between utility and beauty, and the role each plays. That is where our work begins and where it stays alive.

We are interested in what actually contributes. To growth. To change. To how we think, live and relate. Work that carries enough weight to shift something in the world around it.